I think it's a reasonable statue. But does anyone else think it's a bit obvious, more so than his other work? Like there is no doubt on the meaning at all, it's all right there on the surface level.
I don't think most of his work is trying for subtle? First thing that came to mind: "Slave Labour" is pretty obvious, it's a kid operating a sewing machine to make Union flags and it was painted an actual pound shop. Were you unsure of the message? Even something like "Silent Majority" isn't difficult, the comic book "V for Vendetta" makes the exact same point just Banksy painted it as a mural.
it gets people talking which many of those who like it consider to be the primary point. In other words, it's not great public art, it's basically government approved engagement bait or engineered pro-establishment viral messaging and it's very successful at that! (but it doesn't inspire and elevate that art should aspire to)
I have the same reaction to Banksy, and figure he and his audience just have to be in on the joke? I can’t discount there’s some layered irony going on in conversation between the artist and the intellectual / capitalist / trend-setting elite that are his effective patrons.
“I remember when all this was trees” [1] is maybe the best example. Detroit hasn’t been “trees” in something like two centuries. Platitudes doused in treacle.
Statues are probably the least sophisticated type of art being as they are a literal representation of the subject. I believe this is part of the message Banksy intends to convey with this statue.
Are you from the UK and know what the piece is a reference to? It’s topical and unpretentious and comes at a time where the country is splintering. Feels a like a bit of a distant midwit take to take shots at the appeal it has.
Splintering? You have two zombie parties that are really the same in different colours. Of course people are going to vote for other parties that seem more left/right wing. Predictable consequence.
The ambiguity is part of the charm. Something that reveals more about the beholders than the artist makes for stimulating conversation and discovery.
Even the new positioning of the art on a plinth in some open space is enigmatic. If it were a critique of the powers that be, why would officialdom collaborate in propping it up?
Is it though? This can mean anything. Is waving a Palestinian flag the same as waving an Israeli flag? Where do we draw the line between harmful and productive nationalism? Who exactly is blinded by nationalism?
It is vague enough to appear deep to those trying to find something deep but not concrete enough to appear as anything that will stick in people's minds for more than a week. Unfortunately a lot of modern art is like this.
Any attempt at "both sides" messaging is just an attempt of diversion from ethnic cleansing. Cute messages break down the moment you look at things more concretely.
Even if you don't care about palestine, keep in mind imperialist states never stop at one place as we are already seeing.
Resistance to illegal occupation and colonization isn't ethnic cleansing, it's a legal right as ruled by every international body since Israel was formed. Totally false equivalence.
Most galvanizing statements have been pithy and comprehensible to 13 year olds. The general population is not doing a deep dive in to something like Thoreau’s “Resistance to Civil Government,” contemplating the proper role of government, and then getting fired up to act. We need CliffsNotes, slogans, and visible art like this.
Actually is a great example of something different, which the person who was original and eventually becomes ubiquitous and groundbreaking and widely imitated to the point where it's hard to understand just how original they actually are.
There are many examples of the same thing: Andy Warhol and the soup cans, or the screen-printed portraits with different color backgrounds or Led Zeppelin and English folk hard rock songs that have hobbits in them are two of them.
Eventually, it's hard to even process their work in the context of how predictable and trite it seems to be a few decades later.
You're being downvoted but honestly the "everyone is twelve now" meme explains our collective societal dysfunction perfectly.
There's no point to complexity or subtlety in art anymore, or even any kind of symbolism at all. Anything that needs to be interpreted, that doesn't have a single objective meaning which gets spelled out for you. Flag man is silly. Everyone is twelve now.
He's also king of the "I'll criticize the west but I'll turn a blind-eye to non-democratic countries' wrongdoings". A trait shared with virtually all intellectuals and artists in the west.
There are fights worth fighting: for example there are 300 million women alive who have undergone forced genital mutilation. 300 million ain't cheap change. There are also hundreds of millions of people who applauded the killing of 1200 young civilians who were enjoying life at a music festival "because it's resistance".
Applauding the killing of young unarmed civilians, genitally mutilating women and turning a blind-eye to a regime slaughtering 30 000+ of its own unarmed civilians is where I personally draw the line and consider there are maybe more important things to complain about than, say, "the patriarchal western society built by heterosexual white men" or some other woke non-sense like that.
Now to be honest Banksy did art criticizing war overall, not just war started by the west. So a generous reading could consider that he also criticizes things like the 800 000 deaths during the Hutu vs Tutsi war.
But still overall: lots of balls from western artists when it's about criticizing the west, but tiny tiny nuts when it's about, say, attacking the ideology that is responsible for 300 people enjoying music at the Bataclan and then getting slaughtered.
But these people can live with their own conscience: I speak up and I've got mine.
That's a lot of imaginary flaws in imaginary people, with imaginary numbers as scaffolding.
The moral posture you're criticising is not actually a thing, I personally don't know of any Western intellectual who criticises the West but is fine with FGM for example. But it seems that the fault you find in them is that when they criticise the West, for example, they don't also add a list of grievances against all the other countries (but surely they'd have to speak for 10 hours every time they open their mouths?).
It's also funny how you take the 30,000 Iranian civilians killed at face value, but don't talk about the wrongs of the British empire. And you didn't even mention North Korea once. You see the issue with your reqs?
There's a lot wrong with the world, but it seems not unreasonable for people to more strongly critique things 1) they feel they have some responsibility for or 2) that directly impact them or 3) where their criticisms are more likely to result in positive change.
Are you making art to fill that perceived gap, or just lodging your objection to people doing their own thing? No artist owes you a curriculum of your design.
What do you want the artists to do about it? Part of art's power is shining a light on something we don't notice day to day. Most westeners are against mutilation, what would the art say?
Art will always be about speaking truth to power, and that power will usually be the one closest felt. There's not much value in a swede speaking truth to Nigerian warlords.
Maybe, but in 100 years, people looking back on the current era will easily understand the work. It symbolically communicates something about the spirit of the age.
The piece states that it appears to be molded fiberglass. But is anyone aware of any more in depth analysis of its materials/possible production technique? Was the pillar barren on top before?
There's a (mostly terrible) documentary about a previous bansky "statue" deposited in London that,
in one of its better moments, tracks down the people who actually make statues for artists like banksy.
edit: I feel I should clarify that this is not an official Banksy documentary. He made "Exit Through the Gift Shop" which is an amazing film which I highly recommend to anyone.
I'm not sure what you mean by "Those in power" there are lot's of people who know, but recognise that he has chosen anonymity and see no value in putting a name to the person.
It's not so much a secret as it is simply not public.
Pretty much what we learned as student when we were doing something which we technically had no permit for (like digging out some stuff, using it for a theme party and putting it backs few days later). Put on some hiviz and nobody is the wiser.
It doesn't make sense in the City. Waterloo Place, where he put this, has a bunch of statues already for tourists to gawp at, just now as well as "Bloke on a Horse who was an important military leader" there's this guy stepping off his plinth because the flag blocks him from seeing what's in front of him.
The City is dead at night. If an artist wants to put art there, they'd just as somebody else said, dress up like they are workmen and be fine.
Banksy (Robin Gunningham) is the most mainstream establishment artist, while thinks himself a counter-culture revolutionary. That's what makes him so cringe. He's just another champagne socialist.
If someone was to deface this statue would they face legal action? It’s kind of an interesting thought, side if it really was just put up without the city’s authority it would be okay, and if it wasn’t it defeats the entire point.
“Rage against the machine” by doing what the machine wants type thing.
It took me a minute to figure out why I think it's lame.
I suspect that Banksy and his fans are sure that it's "the other" Britons that are blinded, it's not a self-reflection prompt for them. Maybe I am wrong.
Maybe a more powerful piece of art would have that self reflection effect across the board. As is it feels about as nuanced as "fuck trump" and similar. If you already agree you already agree, if not then you just think it's stupid. So ultimately feels like impotent art unless I am totally misunderstanding.
So many people connect this to political topics... For me this is the genius thing about the statue. Seems to be, that quite a lot people are so wrapped up in political debates and political positions, that it has to have political meaning. Maybe this statue is the exact opposit thing of a political message.
There's no definitely about that at all. The city of Westminster issued a statement that seems fairly clear that they were as surprised as everybody else but are taking steps to protect it.
I can't get over the flag itself… It's a black flag. Not a British flag, not a white flag,… A BLACK flag.
Historically, the black flag is strongly associated with anarchism, anti-state politics, revolt, and rejection of national authority.
Had he colored it in the union jack, then I would've said it was nationalism, and the person is blinded by nationalism.
But. This is Banksy, black-and-white Banksy, so there may be no symbolism behind the black flag, but it's just very interesting. I can't accept that he would not have considered the color of the flag.
Who decides that this is from Banksy? I could make a stencil graffiti in my village and claim it's from Banksy and noone could prove me wrong. Or is he using a digital signature as proof of authorship?
Remember kids. Don't believe in anything. Don't join anything. Don't give even a small part of yourself up to anything. Don't be part of anything bigger than yourself.
Well, for a failing artist he is quite impactful, isn't he? News around the world reporting about it. People discussing it. This seems to be quite inspiring and anything else but failing.
The point is not just that he's blinded by the flag: He's boldly marching into the void, confident. "wrapped in the flag" is a great saying.
Worse than a void because a void is not necessarily bad. Walking “off a cliff” rarely ends well.
I think it's a reasonable statue. But does anyone else think it's a bit obvious, more so than his other work? Like there is no doubt on the meaning at all, it's all right there on the surface level.
Not sure we think of Banksy as being particularly subtle. Innovative and impactful, sure - but the message is usually quite clear, no?
It's always been about as subtle as a sledge hammer
I don't think most of his work is trying for subtle? First thing that came to mind: "Slave Labour" is pretty obvious, it's a kid operating a sewing machine to make Union flags and it was painted an actual pound shop. Were you unsure of the message? Even something like "Silent Majority" isn't difficult, the comic book "V for Vendetta" makes the exact same point just Banksy painted it as a mural.
it's less than mediocre art. Using the following statue from Temu for vandalism would be a stronger art statement: https://www.temu.com/1pc-3d-printed-bride-sculpture-elegant-...
Certainly in America but all over the west, people are significantly less capable of media literacy. Sometimes the obvious needs to be said.
> there is no doubt on the meaning at all
Which flag? Or, what kind of flag? Or does it matter?
Flags overwhelmingly represent nations, groups considering themselves nations, that were nations or have some kind of individual governmental status.
If you asked 100 people to imagine a particular flag to attach to that statue, 95% of them are going to be current, unrecognized, or former states.
It is universal. The flag, the state, the man. Details don't matter.
it gets people talking which many of those who like it consider to be the primary point. In other words, it's not great public art, it's basically government approved engagement bait or engineered pro-establishment viral messaging and it's very successful at that! (but it doesn't inspire and elevate that art should aspire to)
> engineered pro-establishment viral messaging
I don’t understand this. What speaks pro-establishment in this piece?
If one can read this as pro-establishment, it's proof that the the art is indeed not so obvious as suggested above :)
I think a good old fashined "we are all fucked" is warranted now and again.
It's also referencing the recent flag controversies in the UK over the past year.
Yes doesn’t feel very innovative
Do know know of any “prior art”, so to speak?
Well the problems it's referencing are glaringly obvious as well, and yet so many people still refuse to acknowledge them.
I have the same reaction to Banksy, and figure he and his audience just have to be in on the joke? I can’t discount there’s some layered irony going on in conversation between the artist and the intellectual / capitalist / trend-setting elite that are his effective patrons.
“I remember when all this was trees” [1] is maybe the best example. Detroit hasn’t been “trees” in something like two centuries. Platitudes doused in treacle.
[1] https://www.usatoday.com/story/news/nation-now/2015/10/01/ba...
Statues are probably the least sophisticated type of art being as they are a literal representation of the subject. I believe this is part of the message Banksy intends to convey with this statue.
Banksy is the patron saint of the “I’m 13 and this is deep” mentality.
Are you from the UK and know what the piece is a reference to? It’s topical and unpretentious and comes at a time where the country is splintering. Feels a like a bit of a distant midwit take to take shots at the appeal it has.
Explain like I'm 13 and don't live in the UK.
Splintering? You have two zombie parties that are really the same in different colours. Of course people are going to vote for other parties that seem more left/right wing. Predictable consequence.
"Blinded by nationalism" I don't know, seems like a clear concise message that has relevance in today's world.
Why nationalism? A flag can represent more than a nation. Can be blinded by any "flag" / ideology.
Since last summer a lot of flags appeared all over the UK.
https://en.wikipedia.org/wiki/Operation_Raise_the_Colours https://manchestermill.co.uk/the-men-who-raised-the-flags/
The ambiguity is part of the charm. Something that reveals more about the beholders than the artist makes for stimulating conversation and discovery.
Even the new positioning of the art on a plinth in some open space is enigmatic. If it were a critique of the powers that be, why would officialdom collaborate in propping it up?
why indeed
Interpretations, in my art?
Seriously, this is part of the fun of art. Neither of you are wrong for reading different messages into it.
Flags overwhelmingly represent nations, groups considering themselves nations, that were nations or have some kind of individual governmental status.
Nations != governments.
“Nations” as synonym for country started appearing only recently, in last two/three hundred years.
Flags have thousands of years of history.
Is it though? This can mean anything. Is waving a Palestinian flag the same as waving an Israeli flag? Where do we draw the line between harmful and productive nationalism? Who exactly is blinded by nationalism?
It is vague enough to appear deep to those trying to find something deep but not concrete enough to appear as anything that will stick in people's minds for more than a week. Unfortunately a lot of modern art is like this.
waving any flag and thinking its us or them is equally blinding. the world is not vacuum and to coexist we need to put flags behind and work together.
Both Israel and Palestine are blinded by ideology. It is a very common failure mode for people.
Any attempt at "both sides" messaging is just an attempt of diversion from ethnic cleansing. Cute messages break down the moment you look at things more concretely.
Even if you don't care about palestine, keep in mind imperialist states never stop at one place as we are already seeing.
So ... Hamas does not want to do ethnic cleansing and attempted that a couple of times, but simply were not as powerful to have a bigger impact?
Resistance to illegal occupation and colonization isn't ethnic cleansing, it's a legal right as ruled by every international body since Israel was formed. Totally false equivalence.
Most galvanizing statements have been pithy and comprehensible to 13 year olds. The general population is not doing a deep dive in to something like Thoreau’s “Resistance to Civil Government,” contemplating the proper role of government, and then getting fired up to act. We need CliffsNotes, slogans, and visible art like this.
Heaven forbid someone tries to communicate a point with art.
The irony is that the statue is being guarded by the London police.
I think it deserves credit for being both simple and original.
> Banksy is the patron saint of the “I’m 13 and this is deep” mentality.
You are wrong.
So, you are 14 and you understand the world? Doesn't seem like it
Actually is a great example of something different, which the person who was original and eventually becomes ubiquitous and groundbreaking and widely imitated to the point where it's hard to understand just how original they actually are.
There are many examples of the same thing: Andy Warhol and the soup cans, or the screen-printed portraits with different color backgrounds or Led Zeppelin and English folk hard rock songs that have hobbits in them are two of them.
Eventually, it's hard to even process their work in the context of how predictable and trite it seems to be a few decades later.
This works really well these days, when the average person is 13.
This criticism would carry more weight if the people this statue criticises had the intellectual and emotional maturity beyond that of a teenager.
Unfortunately, they often don't meet that bar, so the message has to be in a form they can understand.
"They'd be pretty angry if they could read"
You're being downvoted but honestly the "everyone is twelve now" meme explains our collective societal dysfunction perfectly.
There's no point to complexity or subtlety in art anymore, or even any kind of symbolism at all. Anything that needs to be interpreted, that doesn't have a single objective meaning which gets spelled out for you. Flag man is silly. Everyone is twelve now.
Lana Wachowski has said that the Red Pill movement taught her that no matter how unsubtle you are, it's still too subtle for some people.
Really riles up PE types and "patriots" though.
He's also king of the "I'll criticize the west but I'll turn a blind-eye to non-democratic countries' wrongdoings". A trait shared with virtually all intellectuals and artists in the west.
There are fights worth fighting: for example there are 300 million women alive who have undergone forced genital mutilation. 300 million ain't cheap change. There are also hundreds of millions of people who applauded the killing of 1200 young civilians who were enjoying life at a music festival "because it's resistance".
Applauding the killing of young unarmed civilians, genitally mutilating women and turning a blind-eye to a regime slaughtering 30 000+ of its own unarmed civilians is where I personally draw the line and consider there are maybe more important things to complain about than, say, "the patriarchal western society built by heterosexual white men" or some other woke non-sense like that.
Now to be honest Banksy did art criticizing war overall, not just war started by the west. So a generous reading could consider that he also criticizes things like the 800 000 deaths during the Hutu vs Tutsi war.
But still overall: lots of balls from western artists when it's about criticizing the west, but tiny tiny nuts when it's about, say, attacking the ideology that is responsible for 300 people enjoying music at the Bataclan and then getting slaughtered.
But these people can live with their own conscience: I speak up and I've got mine.
That's a lot of imaginary flaws in imaginary people, with imaginary numbers as scaffolding.
The moral posture you're criticising is not actually a thing, I personally don't know of any Western intellectual who criticises the West but is fine with FGM for example. But it seems that the fault you find in them is that when they criticise the West, for example, they don't also add a list of grievances against all the other countries (but surely they'd have to speak for 10 hours every time they open their mouths?).
It's also funny how you take the 30,000 Iranian civilians killed at face value, but don't talk about the wrongs of the British empire. And you didn't even mention North Korea once. You see the issue with your reqs?
There's a lot wrong with the world, but it seems not unreasonable for people to more strongly critique things 1) they feel they have some responsibility for or 2) that directly impact them or 3) where their criticisms are more likely to result in positive change.
Are you making art to fill that perceived gap, or just lodging your objection to people doing their own thing? No artist owes you a curriculum of your design.
What do you want the artists to do about it? Part of art's power is shining a light on something we don't notice day to day. Most westeners are against mutilation, what would the art say?
Art will always be about speaking truth to power, and that power will usually be the one closest felt. There's not much value in a swede speaking truth to Nigerian warlords.
Maybe, but in 100 years, people looking back on the current era will easily understand the work. It symbolically communicates something about the spirit of the age.
I misparsed this headline as
(Statue (of a man (blinded by a flag (put up by Banksy)))) in central London
It is intended to be
((Statue (of a man (blinded by a flag))) (put up by Banksy)) in central London
The actual headline is more coherent but I'm not too fond of it either.
You really don't see any good ol' fashioned short and sweet headlines that read best to the ear in a Mid-Atlantic accent anymore.
Banksy erects central London statue of man blinded by flag, maybe?
I was like, that's horrible how did this flag cause someone to go blind... Did it like fall on the guy when Banksy was putting it up? oh. duh...
The piece states that it appears to be molded fiberglass. But is anyone aware of any more in depth analysis of its materials/possible production technique? Was the pillar barren on top before?
The pillar is fiberglass too, I believe.
There's a (mostly terrible) documentary about a previous bansky "statue" deposited in London that, in one of its better moments, tracks down the people who actually make statues for artists like banksy.
https://en.wikipedia.org/wiki/The_Banksy_Job
edit: I feel I should clarify that this is not an official Banksy documentary. He made "Exit Through the Gift Shop" which is an amazing film which I highly recommend to anyone.
Banksy's "anonymity" is a total farce at this point, thoroughly supported by those in power.
I'm not sure what you mean by "Those in power" there are lot's of people who know, but recognise that he has chosen anonymity and see no value in putting a name to the person.
It's not so much a secret as it is simply not public.
Who cares? Are you similarly triggered by The Rock or Alemao? Banksy is Banksy.
The point appears to have whizzed a couple of feet over your head.
Yeah, definetly had the city agree to it, no way in hell to sneak a statue like that without the cops getting involved.
The trick is not to sneak it. Hi Viz and some yellow flashing lights. Couple smooth talkers.
Pretty much what we learned as student when we were doing something which we technically had no permit for (like digging out some stuff, using it for a theme party and putting it backs few days later). Put on some hiviz and nobody is the wiser.
Agreed. Also why it's totally inoffensive
(Though it's not in /the/ City of London. That wouldn't happen in a million years! City of Westminster is way more culturally flexible)
I dunno they were flexible with the Piranha art work displaying it in the guildhall temporarily.
https://www.bbc.co.uk/news/articles/cx2qz89nk11o
It doesn't make sense in the City. Waterloo Place, where he put this, has a bunch of statues already for tourists to gawp at, just now as well as "Bloke on a Horse who was an important military leader" there's this guy stepping off his plinth because the flag blocks him from seeing what's in front of him.
The City is dead at night. If an artist wants to put art there, they'd just as somebody else said, dress up like they are workmen and be fine.
Banksy (Robin Gunningham) is the most mainstream establishment artist, while thinks himself a counter-culture revolutionary. That's what makes him so cringe. He's just another champagne socialist.
Things were more fun when they were actually transgressive and not just the established doctrine of those in power.
seems missed in the general commentary that there is also an inherent commentary on the western tradition of “blind justice” https://i.etsystatic.com/13403651/r/il/40b0bf/6851322246/il_...
Anyone else leaving up a huge statue in the middle of the park would be arrested
If someone was to deface this statue would they face legal action? It’s kind of an interesting thought, side if it really was just put up without the city’s authority it would be okay, and if it wasn’t it defeats the entire point.
“Rage against the machine” by doing what the machine wants type thing.
It took me a minute to figure out why I think it's lame.
I suspect that Banksy and his fans are sure that it's "the other" Britons that are blinded, it's not a self-reflection prompt for them. Maybe I am wrong.
Maybe a more powerful piece of art would have that self reflection effect across the board. As is it feels about as nuanced as "fuck trump" and similar. If you already agree you already agree, if not then you just think it's stupid. So ultimately feels like impotent art unless I am totally misunderstanding.
So many people connect this to political topics... For me this is the genius thing about the statue. Seems to be, that quite a lot people are so wrapped up in political debates and political positions, that it has to have political meaning. Maybe this statue is the exact opposit thing of a political message.
Are you trying to be ironic?
Yet us talking about it just prompted me to consider how that applies to my life, so something good came of it :)
He definitely got a permit for that which makes the whole thing even more laughable
There's no definitely about that at all. The city of Westminster issued a statement that seems fairly clear that they were as surprised as everybody else but are taking steps to protect it.
Wind bad.
Which flag?
The one he's carrying.
Whoooosh
Any flag.
A black flag!
Statue of a man in a suit walking off a precipice while blinding himself with the flag he is carrying.
https://banksy.co.uk/index.html
I can't get over the flag itself… It's a black flag. Not a British flag, not a white flag,… A BLACK flag.
Historically, the black flag is strongly associated with anarchism, anti-state politics, revolt, and rejection of national authority.
Had he colored it in the union jack, then I would've said it was nationalism, and the person is blinded by nationalism.
But. This is Banksy, black-and-white Banksy, so there may be no symbolism behind the black flag, but it's just very interesting. I can't accept that he would not have considered the color of the flag.
Who decides that this is from Banksy? I could make a stencil graffiti in my village and claim it's from Banksy and noone could prove me wrong. Or is he using a digital signature as proof of authorship?
He posts on his Instagram to verify authenticity: https://www.instagram.com/p/DXwf7pis6KT
If you want to know authenticity, you submit to https://pestcontroloffice.com/auth1.asp -- they verify / deny, and that is the final word.
Is that site for real? It almost seems like some kind of Monty Pythonesque humour site.
Yes it's real: https://banksy.co.uk/in.html (licensing)
His agent would tell the media that your vandalism is not genuine
Really makes you think. I guess Palestine and Ukraine should just give up.
Remember kids. Don't believe in anything. Don't join anything. Don't give even a small part of yourself up to anything. Don't be part of anything bigger than yourself.
Don't be part of anything bigger than yourself that treats you as expendable human oil.
Counterpoint: Where I come from, families don't have flags.
much more sound advice than you think…
Trite and uninspiring. Banksy trying to stay relevant and failing.
Well, for a failing artist he is quite impactful, isn't he? News around the world reporting about it. People discussing it. This seems to be quite inspiring and anything else but failing.