I'm mildly thrown off by some inconsistencies. Carol says "I’ve been under-watering that spot on purpose for thirty years," and then a paragraph down Tom's thoughts say "Carol didn’t know that she under-watered the clay spot." Carol considers a drip irrigation timer the last acceptable innovation, but then the illustration points to the greenhouse as the last acceptable illustration. Several other things as well, mostly in the illustrations.
Are these real inconsistencies or am I misunderstanding? Was this story AI-assisted (in part or all)? Is this meta-commentary?
Thanks! Yeah this was AI assisted. As an experiment I started asking Claude to explain things to me with a fiction story and it ended up being really good, so I started seeing how far I could take it.
I do enjoy this sort of speculative fiction that imagines though future consequences of something in its early stages, like AI is right now. There are some interesting ideas in here about where the work will shift.
However, I do wonder if it is a bit too hung up on the current state of the technology, and the current issues we are facing. For example, the idea that the AI coded tools won't be able to handle (or even detect) that upstream data has changed format or methodology. Why wouldn't this be something that AI just learns to deal with? There us nothing inherent in the problem that is impossible for a computer to handle. There is no reason to think AIs can't learn how to code defensively for this sort of thing. Even if it is something that requires active monitoring and remediation, surely even today's AIs could be programmed to monitor for these sorts of changes, and have them modify existing code when to match the change when they occur. In the future, this will likely be even easier.
The same thing is true with the 'orchestration' job. People already have begun to solve this issue, with the idea of a 'supervisor' agent that is designing the overall system, and delegating tasks to the sub-systems. The supervisor agent can create and enforce the contracts between the various sub-systems. There is no reason to think this wont get even better.
We are SO early in this AI journey that I don't think we can yet fully understand what is simply impossible for an AI to ever accomplish and what we just haven't figure out yet.
There's a bit of a tradition of introducing engineering ideas through stories. I remember a novella which was used to introduce something like MRP II (https://en.wikipedia.org/wiki/Material_requirements_planning) in the 80's. One of the reasons I think it works is that it keeps a focus on the human elements - like why Tom fitted the switch in your story. I remember automating a lab system back in 1985, which would bring in £1000 per day. Two weeks later I found out that the reason it wasn't in use was that the user wanted an amber monitor rather than a green one. I fitted the switch.
I don't know if this is what the future will look like, but this looks realistic. And if my non-existent grandson starts re-coding my business without asking, he's going to spend the next six months using K&R C.
Often suggested by optimistic podcast guests these days: the as-yet-unknown new careers that will replace the familiar old ones and thus give employment in the AI era. I think your story is more a commentary on the current AI goldrush than an insight into future careers.
excellent story, it was both interesting and mildly terrifying. to think that one day software could be malleable seems so wrong to me - you would think having deterministic results is important for programming - and yet with "vibe coding" that really seems to be where it's going.
Who can know what the world will look like as we "transition"? I sure don't, but I'm thankful the author here has taken a stab at it. I feel like this is one of the first stories I've seen to try to imagine this post-transition world in a way that isn't so gonzo as to be unrelatable. It was so relatable (the human-ness shining all the brighter in a machine-driven world) that I cried as I finished reading. I've felt very anxious about my own future, and to see one possible future painted so vividly, with such human and emotionally focused themes, triggered quite an emotional reaction. I think the feeling was:
> If the world must change, I hope at least we still tell such stories and share how we feel within that change. If so, come what may, that's a future I know I can live in.
It’s a neat piece of writing, but not nearly dystopic enough for my taste. There will only be one farm and whoever is fixing it will be on the other side of the world.
I think that's the point, and it's refreshing to see. My takeaway is that even if everything goes as good as it possibly could go, there will still be a need for that human touch.
Just saying that everything is going to go to shit and one or two corporations will take over everything... Maybe, but I've heard that story already.
A fun read!
I'm mildly thrown off by some inconsistencies. Carol says "I’ve been under-watering that spot on purpose for thirty years," and then a paragraph down Tom's thoughts say "Carol didn’t know that she under-watered the clay spot." Carol considers a drip irrigation timer the last acceptable innovation, but then the illustration points to the greenhouse as the last acceptable illustration. Several other things as well, mostly in the illustrations.
Are these real inconsistencies or am I misunderstanding? Was this story AI-assisted (in part or all)? Is this meta-commentary?
I also got a slight feeling of ai assistance as well (especially on the drawings), but the story was well written and really sucked me in all in all.
Thanks! Yeah this was AI assisted. As an experiment I started asking Claude to explain things to me with a fiction story and it ended up being really good, so I started seeing how far I could take it.
I do enjoy this sort of speculative fiction that imagines though future consequences of something in its early stages, like AI is right now. There are some interesting ideas in here about where the work will shift.
However, I do wonder if it is a bit too hung up on the current state of the technology, and the current issues we are facing. For example, the idea that the AI coded tools won't be able to handle (or even detect) that upstream data has changed format or methodology. Why wouldn't this be something that AI just learns to deal with? There us nothing inherent in the problem that is impossible for a computer to handle. There is no reason to think AIs can't learn how to code defensively for this sort of thing. Even if it is something that requires active monitoring and remediation, surely even today's AIs could be programmed to monitor for these sorts of changes, and have them modify existing code when to match the change when they occur. In the future, this will likely be even easier.
The same thing is true with the 'orchestration' job. People already have begun to solve this issue, with the idea of a 'supervisor' agent that is designing the overall system, and delegating tasks to the sub-systems. The supervisor agent can create and enforce the contracts between the various sub-systems. There is no reason to think this wont get even better.
We are SO early in this AI journey that I don't think we can yet fully understand what is simply impossible for an AI to ever accomplish and what we just haven't figure out yet.
Yeah, in the real world, Tom is already an OpenClaw instance...
Funny I actually saw this tweet this morning about an Openclaw instance getting too advanced for the users to know how to control and fix: https://x.com/jspeiser/status/2033880731202547784?s=46&t=sAq...
There's a bit of a tradition of introducing engineering ideas through stories. I remember a novella which was used to introduce something like MRP II (https://en.wikipedia.org/wiki/Material_requirements_planning) in the 80's. One of the reasons I think it works is that it keeps a focus on the human elements - like why Tom fitted the switch in your story. I remember automating a lab system back in 1985, which would bring in £1000 per day. Two weeks later I found out that the reason it wasn't in use was that the user wanted an amber monitor rather than a green one. I fitted the switch.
I don't know if this is what the future will look like, but this looks realistic. And if my non-existent grandson starts re-coding my business without asking, he's going to spend the next six months using K&R C.
This is such a good written fiction story. Well done. And the best part: I can see myself as Tom.
Often suggested by optimistic podcast guests these days: the as-yet-unknown new careers that will replace the familiar old ones and thus give employment in the AI era. I think your story is more a commentary on the current AI goldrush than an insight into future careers.
I enjoyed this very much. But I have to wonder, was this written by Claude?
Edit: got it right!
https://news.ycombinator.com/item?id=47419681
Haha well it was me and Claude ;)
this is such a beautiful essay. thank you op for posting. made my day :)
I used to live in Marshfield WI. It's kind of jarring to see it mentioned "in the real world", the the extent that HN resembles that.
excellent story, it was both interesting and mildly terrifying. to think that one day software could be malleable seems so wrong to me - you would think having deterministic results is important for programming - and yet with "vibe coding" that really seems to be where it's going.
The whole reason it is called software is because of its malleability :)
Who can know what the world will look like as we "transition"? I sure don't, but I'm thankful the author here has taken a stab at it. I feel like this is one of the first stories I've seen to try to imagine this post-transition world in a way that isn't so gonzo as to be unrelatable. It was so relatable (the human-ness shining all the brighter in a machine-driven world) that I cried as I finished reading. I've felt very anxious about my own future, and to see one possible future painted so vividly, with such human and emotionally focused themes, triggered quite an emotional reaction. I think the feeling was:
> If the world must change, I hope at least we still tell such stories and share how we feel within that change. If so, come what may, that's a future I know I can live in.
It’s a neat piece of writing, but not nearly dystopic enough for my taste. There will only be one farm and whoever is fixing it will be on the other side of the world.
I think that's the point, and it's refreshing to see. My takeaway is that even if everything goes as good as it possibly could go, there will still be a need for that human touch.
Just saying that everything is going to go to shit and one or two corporations will take over everything... Maybe, but I've heard that story already.
Dystopians are too easy. The real challenge and reward are interesting utopian novels.